PROJECT ASHABI
African Stories. Limitless Worlds.
PROJECT ASHABI
African Stories. Limitless Worlds.
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XL. The East Indian in Paris XLI. Rising XLII. Doubts XLIII. The Letter XLIV. Adrienne and Djalma XLV. The Consultation XLVI. Mother Bunch's Diary XLVII. The Diary Continued XLVIII. The Discovery XLIX. The Trysting-Place of the Wolves L. The Common Dwelling-House LI. The Secret LII. Revelations
Since three days, Mdlle. de Cardoville had left Dr. Baleinier's. The following scene took place in a little dwelling in the Rue Blanche, to which Djalma had been conducted in the name of his unknown protector. Fancy to yourself a pretty, circular apartment, hung with Indian drapery, with purple figures on a gray ground, just relieved by a few threads of gold. The ceiling, towards the centre, is concealed by similar hangings, tied together by a thick, silken cord; the two ends of this cord, unequal in length, terminated, instead of tassels, in two tiny Indian lamps of gold filigreed-work, marvellously finished. By one of those ingenious combinations, so common in barbarous countries, these lamps served also to burn perfumes. Plates of blue crystal, let in between the openings of the arabesque, and illumined by the interior light, shone with so limpid an azure, that the golden lamps seemed starred with transparent sapphires. Light clouds, of whitish vapor rose incessantly from these lamps, and spread all around their balmy odor.
Daylight was only admitted to this room (it was about two o'clock in the afternoon) through a little greenhouse, on the other side of a door of plate-glass, made to slide into the thickness of the wall, by means of a groove. A Chinese shade was arranged so as to hide or replace this glass at pleasure. Some dwarf palm tress, plantains, and other Indian productions, with thick leaves of a metallic green, arranged in clusters in this conservatory, formed, as it were, the background to two large variegated bushes of exotic flowers, which were separated by a narrow path, paved with yellow and blue Japanese tiles, running to the foot of the glass. The daylight, already much dimmed by the leaves through which it passed, took a hue of singular mildness as it mingled with the azure lustre of the perfumed lamps, and the crimson brightness of the fire in the tall chimney of oriental porphyry. In the obscurity of this apartment, impregnated with sweet odors and the aromatic vapor of Persian tobacco, a man with brown, hanging locks, dressed in a long robe of dark green, fastened round the waist by a parti-colored sash, was kneeling upon a magnificent Turkey carpet, filling the golden bowl of a hookah; the long, flexible tube of this pipe, after rolling its folds upon the carpet, like a scarlet serpent with silver scales, rested between the slender fingers of Djalma, who was reclining negligently on a divan. The young prince was bareheaded; his jet-black hair, parted on the middle of his forehead, streamed waving about his face and neck of antique beauty--their warm transparent colors resembling amber or topaz. Leaning his elbow on a cushion, he supported his chin with the palm of his right hand. The flowing sleeve of his robe, falling back from his arm, which was round as that of a woman, revealed mysterious signs formerly tattooed there in India by a Thug's needle. The son of Radja-sing held in his left hand the amber mouthpiece of his pipe. His robe of magnificent cashmere, with a border of a thousand hues, reaching to his knee, was fastened about his slim and well-formed figure by the large folds of an orange-colored shawl. This robe was half withdrawn from one of the elegant legs of this Asiatic Antinous, clad in a kind of very close fitting gaiter of crimson velvet, embroidered with silver, and terminating in a small white morocco slipper, with a scarlet heel. At once mild and manly, the countenance of Djalma was expressive of that melancholy and contemplative calmness habitual to the Indian and the Arab, who possess the happy privilege of uniting, by a rare combination, the meditative indolence of the dreamer with the fiery energy of the man of action--now delicate, nervous, impressionable as women--now determined, ferocious, and sanguinary as bandits.
And this semi-feminine comparison, applicable to the moral nature of the Arab and the Indian, so long as they are not carried away by the ardor of battle and the excitement of carnage, is almost equally applicable to their physical constitution; for if, like women of good blood, they have small extremities, slender limbs, fine and supple forms, this delicate and often charming exterior always covers muscles of steel, full of an elasticity, and vigor truly masculine. Djalma's oblong eyes, like black diamonds set in bluish mother-of-pearl, wandered mechanically from the exotic flowers to the ceiling; from time to time he raised the amber mouthpiece of the hookah to his lips; then, after a slow aspiration, half opening his rosy lips, strongly contrasted with the shining enamel of his teeth, he sent forth a little spiral line of smoke, freshly scented by the rose-water through which it had passed.
"Shall I put more tobacco in the hookah?" said the kneeling figure, turning towards Djalma, and revealing the marked and sinister features of Faringhea the Strangler.
The young prince remained dumb, either that, from an oriental contempt for certain races, he disdained to answer the half-caste, or that, absorbed in his reverie, he did not even hear him. The Strangler became again silent; crouching cross-legged upon the carpet, with his elbows resting on his knees, and his chin upon his hands, he kept his eyes fixed on Djalma, and seemed to await the reply or the orders of him whose sire had been surnamed the Father of the Generous. How had Faringhea, the sanguinary worshipper of Bowanee, the Divinity of Murder, been brought to seek or to accept such humble functions? How came this man, possessed of no vulgar talents, whose passionate eloquence and ferocious energy had recruited many assassins for the service of the Good Work, to resign himself to so base a condition? Why, too, had this man, who, profiting by the young prince's blindness with regard to himself, might have so easily sacrificed him as an offering to Bowanee--why had he spared the life of Radja-sings son? Why, in fine, did he expose himself to such frequent encounters with Rodin, whom he had only known under the most unfavorable auspices? The sequel of this story will answer all these questions. We can only say at present, that, after a long interview with Rodin, two nights before, the Thug had quitted him with downcast eyes and cautious bearing.
After having remained silent for some time, Djalma, following with his eye the cloud of whitish smoke that he had just sent forth into space, addressed Faringhea, without looking at him, and said to him in the language, as hyperbolical as concise, of Orientals: "Time passes. The old man with the good heart does not come. But he will come. His word is his word."
Arthur Conan Doyle
