PROJECT ASHABI
African Stories. Limitless Worlds.
PROJECT ASHABI
African Stories. Limitless Worlds.
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CHAPTER I. CHAPTER II. CHAPTER III. CHAPTER IV. CHAPTER V. CHAPTER VI. CHAPTER VII. CHAPTER VIII. CHAPTER IX. CHAPTER X. CHAPTER XI. CHAPTER XII. CHAPTER XIII. CHAPTER XIV. CHAPTER XV. CHAPTER XVI. CHAPTER XVII. CHAPTER XVIII. CHAPTER XIX. CHAPTER XX. CHAPTER XXI. CHAPTER XXII. CHAPTER XXIII. CHAPTER XXIV. CHAPTER XXV. CHAPTER XXVI. CHAPTER XXVII. CHAPTER XXVIII. CHAPTER XXIX. CHAPTER XXX. CHAPTER XXXI. CHAPTER XXXII. CHAPTER XXXIII. CHAPTER XXXIV.
On the 4th of November, 1827, I sailed from London, accompanied by my son and two daughters; and after a favourable, though somewhat tedious voyage, arrived on Christmas-day at the mouth of the Mississippi.
The first indication of our approach to land was the appearance of this mighty river pouring forth its muddy mass of waters, and mingling with the deep blue of the Mexican Gulf. The shores of this river are so utterly flat, that no object upon them is perceptible at sea, and we gazed with pleasure on the muddy ocean that met us, for it told us we were arrived, and seven weeks of sailing had wearied us; yet it was not without a feeling like regret that we passed from the bright blue waves, whose varying aspect had so long furnished our chief amusement, into the murky stream which now received us.
Large flights of pelicans were seen standing upon the long masses of mud which rose above the surface of the waters, and a pilot came to guide us over the bar, long before any other indication of land was visible.
I never beheld a scene so utterly desolate as this entrance of the Mississippi. Had Dante seen it, he might have drawn images of another Bolgia from its horrors. One only object rears itself above the eddying waters; this is the mast of a vessel long since wrecked in attempting to cross the bar, and it still stands, a dismal witness of the destruction that has been, and a boding prophet of that which is to come.
By degrees bulrushes of enormous growth become visible, and a few more miles of mud brought us within sight of a cluster of huts called the Balize, by far the most miserable station that I ever saw made the dwelling of man, but I was told that many families of pilots and fishermen lived there.
For several miles above its mouth, the Mississippi presents no objects more interesting than mud banks, monstrous bulrushes, and now and then a huge crocodile luxuriating in the slime. Another circumstance that gives to this dreary scene an aspect of desolation, is the incessant appearance of vast quantities of drift wood, which is ever finding its way to the different mouths of the Mississippi. Trees of enormous length, sometimes still bearing their branches, and still oftener their uptorn roots entire, the victims of the frequent hurricane, come floating down the stream. Sometimes several of these, entangled together, collect among their boughs a quantity of floating rubbish, that gives the mass the appearance of a moving island, bearing a forest, with its roots mocking the heavens; while the dishonoured branches lash the tide in idle vengeance: this, as it approaches the vessel, and glides swiftly past, looks like the fragment of a world in ruins.
As we advanced, however, we were cheered, notwithstanding the season, by the bright tints of southern vegetation. The banks continue invariably flat, but a succession of planless villas, sometimes merely a residence, and sometimes surrounded by their sugar grounds and negro huts, varied the scene. At no one point was there an inch of what painters call a second distance; and for the length of one hundred and twenty miles, from the Balize to New Orleans, and one hundred miles above the town, the land is defended from the encroachments of the river by a high embankment which is called the Levee; without which the dwellings would speedily disappear, as the river is evidently higher than the banks would be without it. When we arrived, there had been constant rains, and of long continuance, and this appearance was, therefore, unusually striking, giving to “this great natural feature” the most unnatural appearance imaginable; and making evident, not only that man had been busy there, but that even the mightiest works of nature might be made to bear his impress; it recalled, literally, Swift’s mock heroic,
Arthur Conan Doyle
